This story
covers 1968-1981. These were difficult times when few adults were around who could provide moral or ethical guidance.
Zola thought a lover 10 years older would. Did he? Yes and no. Turns out being a mistress or committing adultery never changes
- no matter what dates the misguided love.
The forbidden words - I want to take
you away. For a
weekend. Lock us up on a hotel in the Yucatan. Only
let you out to meander with me through the jungle
paths,
then rush home to each others' legs, tongues; to
touch
all the forbidden spaces beneath your old eyes
while
the humid air mummifies our sweaty rhythms.
You lay your hand on my stomach as it
swells,
recovering from tidal waves. I feel like the ocean,
rolling
into a calm harbor. Your voice covers my
nakedness
like diamond due, as if you were talking to
yourself, "To
touch you always."
You ask how it is with me. I blush. I turn my face
from yours while my hand lingers inside your thigh.
It is so similar with you as with others -- physically.
That
is not the right answer. After so many others, I
wondered
if it were only me who came to that
nirvana while my partners lingered in some gray
purgatory.
Me? I jump into that sacrificial Lake
Titicaca every
time a man plunges into me. I tumble
to the
bottom of the dark pit, only to reel in diamonds
and rubies.
I then ascend in a steaming geyser to
touch the hot
sun of your eyes and to feel whole, holy,
pure, God-like
beneath your palms.
"Spiritually, it's different with you," I say, "much
different."
I find your brown eyes in the dim light and wonder
how it
is for you, with me, after 11 years.
"It's like no one else," you whisper as if lost in a
trance amid your emperor-sized bed.
"What about your wife?" I ask.
You shake your head, the trance too thick to
reprimand
me. "It's not the same. She doesn't touch
me like
you do," you say.
My fingers cease their caress. I look at them. Aren't
all women's fingers alike? Doesn't she touch the
same
flesh, this same man, this same penis?
* * *
My mind rivets to your first touch upon my virgin
flesh
the summer of 1968, when I was 18 and you
28.
You were my eternal bachelor, divorced, my
rich
man. I became your artist college hippie. I was
so angry, when after four years, you married.
Someone else. I knew even at 22 I was too young for
you, but I had thought you'd wait until I grew up.
"We
haven't made love in two years," you're saying.
My jaw drops. "Two years?" I can barely stand
these once a month moments of sanity and now you
tell
me your wife of seven years and you haven't
made love in two
years! We haven't made love
consistently
for 11 years. I was out west for a while
and most
of the other years, I was living 200 miles or
so from
you mixed in my tornadoes and hurricanes,
coming to you
with the mask of sanity, seeking faith,
hope and love
within our shared bed.
I'm still grateful after that virginal seduction attempt,
that
you kept your hands off me for two years before
we consummated
our love in the flesh. I was so often
on the
edge of sanity and you were the one who
rescued me.
Not dramatically. Never one to indulge
in emotions,
your letters were like memos, your
voice inviting over the phone from your
stockbrokerage
chair, steady in business, steadying
me, and only recently
have you begun to talk - of us.
"Two years?" I repeat as you rise from the bed, walk
across that spacious, airy Frank Lloyd Wright
bedroom
and into the bathroom. I glance about the
room.
I see the photograph of you and her on the
dresser - partying
in the Caribbean with your sailor
hats and sun-tanned bodies so firm. I glance away
and note the palm tree in a wicker basket in the
corner
of this room, the folding antique dressing
stand.
Your voice issues from the bathroom about
how you're
both too busy: you with your business and
jazz music recordings
and she with her film work in
L.A., and how most people are different from me and
still
love each other.
"But doesn't one of you get angry and throw a temper
tantrum
and demand to make love?" I ask as you
return.
I expect you to kiss me paternally and swat
my ass,
telling me to get dressed, you have business
to do and I must
go. This time you talk.
"Not everyone has your sex drive," you say, smiling,
offering me another hit from a jay.
* * *
I shrug and remember the first time you brought me
here.
For Frank Lloyd Wright, I expected waterfalls,
marble
stairways, crystal chandeliers, inlaid wood
floors.
I had not expected the utter beauty of the airy
rooms
nor the relaxed comfort of afternoon light
streaming through
the north and west windows. With
your palm on my hip and your eyes dancing, you
show
me your recording studio squeezed into such a
small
room, but complete with dials and lights,
gadgets and the
organ with your blond wife's face
capturing your trances. Then you take me upstairs to
a majestic bedroom with your familiar emperor-sized
bed.
You show me your modern, triangular shower,
painted black
bathroom walls, his and her long
closets and dozens of three-piece suits. I almost
stopped to count them.
"This is the only room we fixed," you say opening the
guest room: furnished bed, dresser, mirror, rug.
Antiques. Probably expensive. All the other rooms
are nearly bare: a functional round glass table in the
main
room off the foyer, a couch in the living room, a
console
piano its only companion other than the one
white rug, and
the desk in your upstairs office.
* * *
The first time here, you brought me towards your
marriage
bed. I pushed you away, "I can't, not here."
You
don't understand.
"In the guest room?" I ask. "I just can't here, where
you do it with your wife." We heaten each other's
bodies in the guest room, my mind reeling to hot
Egyptian
deserts, in an oasis, you and me, caressing
beneath hieroglyphics
of time.
Now I listen to you, huddling my knees to my chin,
happy
to be thin again as I was in the beginning with
you,
me 18 and you 28.
I am amused by your money. You used to give me ten
dollars taxi fare for the trip downtown so I could
catch
the train home to college. I was so poor, I took
the taxi
to the "L" and pocketed the rest for food. I
was so hungry for everything when I was young.
Recently recounting to some friends how much I
liked
your Mercedes Benz sports coup, their jaws
dropped.
They told me it was worth at least $25,000
or more.
I smiled.
Now I want to take you to the Yucatan. Hide us out in
a small
hotel, hole us up with Double XX beer and
none of your drugs.
"We always smoke dope," I complained after a few
years.
"We don't," you say.
You were the first to offer me marihuana at 18.
Nothing happened as your hands latched onto my
flesh.
I wanted to know how far you would go so I
pretended
to be stoned, whatever that was. I stood
from your couch
and followed you into that apartment
bedroom after
selling you the set of encyclopedias
the week before.
I marveled how your emperor-sized
bed consumed the entire room. You undressed and
waited for me in bed. I stared at your face. Nothing
else.
I let my hand rise to the key-like zipper on the
front
of my red-black-plaid jumper. It crackled. My
hands
shook. You left the bed, helped me, then
guided
me into those crisp, cool white sheets as I
stared into your
eyes.
Your palms were flowing with my curves when you
nudged
yourself towards me. Your sword-like thing
touched
my soft spots. Your hand forced mine onto it.
Me being
Catholic and you being Jewish and me
being naked for
the first time, and with such an older
man, and me not
having any birth control, and I'm
suppose to be in love with my high school
sweetheart,
and you're so much older than I.... I shake
and cry, cover
my face, clasp the sheets and turn from
you.
You try hugging me. I say, "I can't."
You say, "You don't have to."
I say, "I can't even touch you!"
*
* *
It's not like that anymore. Every time you bring out
the jays, always the jays. This past year, you even
brought
out a small vial of cocaine. I get heart
attacks
now. Every orgasm with you, you and your
cocaine
give me a heart attack as your white heat
pushes me over
the edge, flying until you withdraw.
My heart is ready
to leap from my chest as my thighs
roll like the ocean and you whisper, "To touch you
always."
I hear, for the first time, how much you
haven't
said all these years.
Still, I want you without drugs. We don't argue that
this time. We argue how you finish too soon. One
time, I angrily stormed from the upstairs bedroom,
having
grown accustomed to laying in your marriage
bed since your
wife was out of town so often. My
shoes
tapped the stairs with a new femininity, my
mouth turned downward
with a righteous anger to
challenge your apologetic voice.
"I didn't know so many would call," you say
following
me.
I remember the early times, in the old place, when
you disconnected
the phone.
"I told you the last time I wasn't satisfied," I say and
much more crosses our minds, but I am still too
young
to understand how my voice ripples against
your life.
"I'm angry," I mutter.
"I'm sorry," you say.
You help me with my coat. You've shortchanged me
again
with your phone calls. Suddenly, I notice the
gray
hairs in your brown curls which weren't there
before.
I melt in this new knowledge about you.
*
* *
We are reluctant to lose each other after 11 years,
growing
into 12. This moment pieces itself together
from
our separate lives with moments glued to other
worlds,
now snatched like thieves, intersecting like
fine geometric
patterns your stock market research
plots over the years. But I have finally spoken the
word that tramples our love. "Adultery." It stains all
my love for you. And you?
"We settled this a long time ago," you remind me.
Yes, seven years ago when you told me how, since
you and
she were so much older marrying, that you
both decided to
keep some of your special bed
partners rather than opt for total monogamy.
Now you stare into my mouth with fear, touching
something
you thought you never owned. We sit in the
living room.
A new grand piano claims one end, the
console is on
the side. The couch is white and thick,
the rug
white and thick, the coffee table designer of
some
kind. Refined. Cultured. The room is spacious
but not cluttered. Tropical plants are scattered
throughout it. You're next to me on the couch. We
aren't usually like this, with all our clothes on, talking
in the
downstairs living room.
"Can't love just be an isness?" I ask. "Must it be an
exchange of flesh?"
"No. If you change that, you change it all," you say.
"But can't love just BE? Can't we change the
manifestation,
the expression of it, without changing
the isness?"
We argue until I ask the right question. "Does it
change the isness for you?"
In the living room, lit only by he cars driving by at
dusk,
your clear brown eyes don't hesitate a beat,
"Yes.
Fifty percent of the time when you change a
relationship
that has been going on as long as ours
have, you ruin
it."
I bite my lip. Your arm, on the back of the couch,
refuses
to fall upon my neck or shoulder. I stand and
ask if
you'll show me your new computer. I feel you
have announced
the death of our love. I follow you
up the
stairs and into the office, furnished now with a
file
cabinet, bookshelves and the desk computer
dethroning your
Selectric typewriter. You show me
purple
and yellow lines which indicate graphs of
buying and selling.
You show me how you talk to it,
review messages from your computer-brother wizard
who helped
install it. I lean over your shoulder, my
hand close to
your ear. I feel like David and
Bathesheba. I feel blackmailed into making love with
you.
If I don't make love this evening, you will end
our friendship.
All 11 years of it, growing into 12.
"I've changed my mind," I whisper.
You are drawn from reviewing business to my face.
I've watched the lines around your eyes for years
now.
I've memorized your nose, your rich, wide
mouth, your business
tan and its varied shades and
your curly Jewish hair trimmed just above the neck,
and its
every gray hair. You are startled, a rare
emotion
for you. You freeze. "Why?"
"Stockbrokers
never bet on 50-50 deals," I say.
'So what do we have here now?' I wonder as I
abandon
my clothes and morals on the floor and join
you in bed.
* * *
Afterwards, we stand naked. We gaze at the cars
traveling
north and south. Their headlights filter
through the autumn
leaves and into this room. Your
arms are around my neck and shoulders as I lean into
your
naked body. I tell you how I know you so well,
how you
can, "Shift your gaze."
You don't understand my obliqueness. Usually we
half-talk and half-sing in our mutual telepathy, but
now you
don't understand. I tell you how you can
shift
your gaze from me and by just doing that, make
me not
exist. Make my love, our love, not exist. Ever
again.
I remember the time in the hotel, during our Chicago
lunch
hour. We were walking across Dearborn Street
with
lunch hour people. Your eyes were wide,
repeating
how you don't usually do such things.
"Like what?" I asked.
"Walk in the streets. See all these people," you say as
you clasp my arm to your side with just the right
amount
of gentlemanly politeness and sensual
warmth.
"The Palmer House was booked," you say
as we
both laugh and you direct us towards "The
King's
Golden Arms Hotel."
"I've never done anything like this before," you say,
referring to our lunch hour rendezvous and a hotel
escapade.
I remind you of the other hotel on
Sheridan Road,
too early after you married. You
smile, "I forgot...."
*
* *
Then there was the day I came to your office. The
first
time after years of letters and collect calls. I
tried
looking femme fatale. When the receptionist
recognized my
name and connected it to the letters
and collect phone
calls, I smiled and said nothing.
She escorts
me towards the arena-like Coliseum with
its cathedral-high
ceiling. You raise your hand and
wave
among the mass of subdued brown and gray
desks and computers
and men in three-piece suits. I
find
you and sit in the client chair next to your desk. I
lay your
birthday present before you.
My face is dark. It is easy to be femme fatale when
the fated news arrived. You're smiling. I am
untouched by this impressive show of wealth. I look
where everyone else looks. The huge flashing green
lights
flow like a fast river above all of us. I stare
and wonder
why you don't squint as I must to catch
but not decipher
those figures, shorthand of
knowledge, the Dow Jones. You're asking me why
I'm not smiling. Then you make a comment and I
laugh. My voice rings above all that money. I cover
my mouth the second time as heads turn to stare, but
you're
smiling and your eyes haven't quivered in
reproach.
"I'm depressed," I say.
You're surprised. You haven't seen me like this. You
heard, in letters and phone calls, but seeing is another
story.
You unwrap your present: my first novel
written
while I was out west.
You smile. "I don't have anything for you," you say
eluding to my birthday just six days from now.
You're 39 and I will be 29. We rarely exchange
gifts. It's as if such usual pastimes are unnecessary
between
us. Or too risky.
"The man I wanted to marry is marrying someone
else,"
I say. "Married," I correct myself.
"So?"
I shrug.
"Be
happy you were privileged to love," you answer.
"That's easy for you to say, you're married. Me? I
love daily, always. It's habit, not a privilege. But I
loved him and wanted to love him forever, physically
and spiritually.
Even monogamously," I conclude.
"Not everyone is as fortunate to love as much as you
do,"
you say. My eyes flash open to the room, the
wealth
I don't have, the second-hand coat I try
dressing up with
a matching hat and scarf and my
naked, unwed fingers. Your telephone rings. You
answer it, give stockbroker advice, listening as your
eyes
smile weariness. You clasp my hand, then
release it to turn to some figures. You turn on the
charm with a warm, nearly hot, good-bye to your
customer.
You hang up the phone. "It's all bullshit,"
you say as we stare at each other. "Customers buy
more if you flirt with them."
"I hope you like this," I say, changing the subject. I
open the black cover and read the title for you, The
Chicagoans.
"It's not about us." You raise
an eyebrow. You've
once mentioned
how you're expecting to read
something about us. "I'll write one for you someday."
"This is fine. In fact, this is the most beautiful gift
anyone has ever given me." Your voice strikes a
chord,
a nuance that escapes everyone but us. I stand
to leave.
You stand also and escort me outside the
office, leaning
into my body as the escalator takes us
downstairs.
You tell me how much you love me and
how happy I should
be to be me. I smile for the first
time
in days.
* * *
"Adultery," I say now. In effect, no loving. "I can't
find a husband if I keep making love with you," I
plead.
I can't be satisfied like this anymore, I don't
say.
I like you, haven't been easy to love. I want to hold
onto
night long past sunrise with too many others.
You survived
that. Then there's been the changing
addresses,
changing occupations, changing area
codes, my phone calls finally no longer collect.
Always
you would ask, "Where are you calling
from?" waiting
to hear my exotic town: San
Francisco, Vancouver, Seattle, Pittsburgh, El Paso,
New Orleans
and even London and Paris. You're
always surprised when I'm calling from Chicago, my
hometown.
I called from Michigan this time. Six hours I drove
home
to you, thinking of my latest lover. He wakens
my spirit
as I did his virgin flesh five years ago,
growing
into six. We are growing old together, him
and me.
Like you and me, but when I was in his
unmarried
arms on his short visit before he was off to
Darwin's Galapagos
Islands, I cried. I finally
understood
the reality of making love - the grand
precious reality
I had held so often and tasted so
regularly with you, with others, but never fully
recognizing
its brilliance until I was with David, my
single lover and
helicopter bush pilot. He was a
near-virgin at 22, and I was so stained at 24, but
together,
he transports me around the world with his
tales of adventure.
* * *
I refuse to think of you. For six hours. I had thought
adultery. Long before this drive. We have talked
about
it before. You have persuaded me before.
Now I'm coming home to see my ailing mother, visit
my sisters
and nieces and nephews, my old
roommates, acquaintances turning into friends. That's
not true.
I came to see you, with David's love latching onto my
thighs,
claiming me although I know he won't be back
in town for another
year. I came to see you. To play
this charade of love with you in your Frank Lloyd
Wright
house. You keep surprising me with your
lines.
Detail
After 11 years, you tell me how when I first walked
into
your house, chatting my memorized encyclopedia
sales
pitch while you lay stretched on the couch,
enjoying the August
interlude. You had stared at me
as I fingered the sample book, pointing out Mayan
ruins.
I stopped midway because of your stare. "If
you're
not interested, I'll leave."
"No, no, go on," you said. The film in your eyes left.
"I'd
have bought anything you were selling," you say
now.
"What?"
"I would have bought a Bible, fishing gear, magazine
subscriptions - anything you were selling. I was
buying
you."
You smile and kiss my unusually quiet mouth. You
continue.
"I was thinking of having a relationship with you for
years
the moment you walked into the apartment."
"Huh?" I say, turning to you in your emperor-sized
bed.
You hand me a kleenex to wipe myself after
loving.
"Sure," you say.
"Why?" I ask.
"You were a once in a lifetime opportunity."
I confide how happy I was to learn on my last visit
how you
keep my letters in a file and rotate it so
when you do your
books twice a year, you stumble
upon it in the middle of your review.
"Do you do your accounts in December and June?" I
ask.
"November and May. I'm too busy those other
times."
We laugh. You touch my naked leg, "And, I
don't take phone calls from anyone at work
nowadays."
"But you took mine this morning!" I say, raising an
eyebrow.
"I don't take phone calls at work. I'm too busy," you
repeat and we laugh again.
Laughter dies from your face. "Did you realize what
you were
saying when you said it was adultery?"
I cuddle next to you, rub my hand along the inside of
your
thigh, pass the knee to the ankle, drawing circles
and rivulets
like the Amazon River. I avert my face.
"Yes."
"Did you mean it?"
"Yes." I kiss your back, "But I don't mean it now."
"Don't do that to me, please," you say.
"I'm sorry," I say as my memory floods my mind.
*
* *
I remember what you forget. Your mind is filled
with
numbers while mine with kisses. I almost start
to play,
"Let's Remember," but draw back. All my
memories
of you demand union. A few times, I
withdrew
from our orgasms like a bandit because my
mind, in the pinnacle
of isness screamed, MARRY
ME! I don't know if you heard. I was afraid of
falling in love with you and ruining everything.
There is one very important "Let's remember" I must
share
with you. Do you remember, that time in your
upstairs bedroom,
with the cars going by, and we
were discussing how you can shift your gaze? You
were telling me how you and your wife were
considering
having a child, something about her
biological clock.
"You should do it," I say.
"Why?" you ask.
I stand there in the airiness of your room. I feel
liberated
from my body, that my and your minds are
floating as one
in that spacious room. I touch some
deep,
foreign knowledge that I will only touch this
once
in my whole life. I feel the texture of our two
minds
within the air, although you are sitting on the
bed and
I am standing, stretching, looking out the
window. I turn
to you, "To manifest love, like we do
now, but to do
it physically in a child. To give life
and breath
to love. To grow with it, change and be
changed by it.
To connect yourself with humanity.
To have
something more important than your
business."
"I have my music."
"Having a child is different, more demanding,
spiritually,"
I counter.
You tell me your wife and you have been talking
about
it, but you are unsure. I walk over to you,
place
my fingers over your lips and make you stand.
We hug.
"It's none of that," I say. "It's to make love physical,
like we do." I feel the air about us weaving genetic
dna and rna strands between us, ready to impregnate
us with
children.
"Then why haven't you done it?" you demand.
I blush. I turn from you. How ignorant you are of me
sometimes!
"Because it is too expensive," I murmur.
*
* *
After 11 years, you tell me how you planned to love
me from
the start. Now, just an hour ago, my simple
assertion,
"It's adultery" would deprive you of the
only
love that transcends "Up 97 points today."
I am humbled.
"You don't understand your own power," you're
saying,
"your impact on people."
This is a new conversation. My eyes focus on yours.
Power? You deal with it daily, handle it casually,
easily.
Stockbrokerage work, music contracts in
L.A.,
recording studios and executives. Me? What
do I know of power? I know of sex, flesh, love, God
in its
Moses, Buddha, Christ and other forms and all
those
other, non-material powers that you bed me
for.
We're so obviously foils to each other. I've
known it for years. I voyeur in your business and you
voyeur
in my soul.
* * *
All those moments are in the past now. I've spent six
hours of not thinking of you as I drive from Michigan
home
to Chicago. My pilot lover's scent is still
woven in my long
hair. His voice still clings to my
fingertips
and your Frank Lloyd Wright house is my
destination.
I'm standing pass the foyer, before the round glass
table
we've shared take-out chicken and pizza.
Tonight you've
cooked for me, the first time, tacos. I
reassure you I'm
only a semi-vegetarian as you mix
seasonings into the sautéed ground beef. Once
before, after shopping at an all night Jewel, we came
home.
You were on the phone as I stood in your
familiar kitchen,
always finding the beer in the
packed refrigerator. I now tried to assemble your
sandwich,
but after ten years, I didn't know if you
used
mayonnaise, butter or mustard.
Now you take my coat, place it over the dining room
chair
and lead me into the kitchen. You show me
how you're
cooking for us. We regress to teenagers,
like
the time I showed you my first car when I was
29.
I turned on the window shield wipers because it
was raining.
I pointed out the am/fm stereo, the
8-track tape-deck, the air conditioning, "And cruise
control,"
I say, knowing what impresses you. You
clapped
your hands after I asked where the nearest
gas station was.
You leaned into the car to kiss my
good-bye, saying,
"I feel like Rock Hudson and Doris
Day." I waved
good-bye and now, you're leading me,
after dinner,
towards the stairs and I stand reluctant.
You're holding two drinks in your hands, walking up
the stairs.
I stand near the foyer, nearly reaching for
my coat. I feel
like a doe ready to bolt.
"It's adultery," I say.
You freeze. Turn towards me, one foot above the
other
on the stairs. Our eyes lock. I don't melt.
"I can't," I say.
"Can't what?"
My eyes race up the stairs, pass you, to the future.
"Are you serious this time?" you ask.
I can only nod my head.
You're walking towards me now, placing the glasses
onto
the dining room table. How I want to change this
moment!
I want you to change my heart, corrupt me
again
as you had done the first time after your
marriage, explaining
your arrangement with your
wife. Only last year you told me I am the only one
you've indulged within that arrangement.
"Are you serious?" you ask in a deadly monotone as
you advance
towards me. I want to feel your hands
on my hips, your
lips upon my mouth. I want to
experience again how our minds dance in galaxies
and stars
beyond our separate realities. Tears are
flowing from my
morality. You won't indulge me.
We are
both much too old for such dramatics.
"Yes,"
I manage, hearing the knife sever our bonds
more decisively
than a judge's sentencing.
"It's adultery and I can't do it anymore. It hurts too
much inside," I say to your back as you stride pass
me towards
the grand piano. "I can't find a husband
for myself
if we keep making love," I nearly shout.
But you
have totally ignored me. Blocked me. Shifted
your gaze.
You are uncovering the 88 black and
white keys and
I am recalling the cassette tape of
your soon-to-be-released album. Years ago I had
chided you when you said you had given up your
music for business.
Now you are playing the piano, something so much
different
from anything you've recorded before. I
recall
the first time you played the organ now in your
recording
studio. It was at your old apartment. I
encouraged
you to play one of your original
compositions. Back then you said you never wrote
your
own music. That came later. You've never
played for me since that first time. Until now.
*
* *
I want to listen to you play music for me. I think our
relationship will evolve into this new space. Rather
than
make adulterous love, we will become civilized
and you
will play the piano for me and I will sit and
write
on the white couch as I do now, my notebook
lit by the cars
passing north and south outside through
the early budding
trees. Your music continues as I
match
my mind to yours trying to blot out "It's
adultery,"
by writing as I am now, telling you how it
feels, after 11
years growing into 12, that it's like
saying good-bye
to the sunset.
* * *
You finish at the piano. I stand from the white
couch. "I never did that before," you say in awe.
"What?"
I ask, following you to the dining room
table.
You help me with my coat.
"I never just sat down and wrote like that. You make
me do
the damnest things."
Months later I mail you this story about us. I call you
on the phone. Your voice is hollow and distant, as if
you're one of those flashing green lights on the Dow
Exchange.
You avoided real words with me when I
asked what you
thought of our story. I forget what
few words
you said then. I have never seen you
since.
It was like saying good-bye to the sunset.
circa 1981